Collaboration

A visit to an exhibition on Robin & Lucienne Day

August 10th, 2011 by buscada | No Comments

This is a spur of the moment video (shot and edited on an iPod) we made on a recent visit to the PM Gallery & Pitzhanger Manor House in Ealing, west London. The exhibition shows the work of two distinct designers, Robin Day & Lucienne Day. The exhibition shows their individual work, and crucially shows how as a collaborative couple, they influenced each other to create new forms. It was an inspiration for us to see such an interesting dialogue between their work.

PM Gallery London

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A new exhibition : Layered SPURA

April 4th, 2011 by gabrielle | No Comments

Layered SPURA : Spurring conversations through visual urbanism
On January 31, join us at the Arnold and Sheila Aronson Galleries, Sheila C. Johnson Design Center, Parsons The New School for Design, for a new exhibition curated and designed by Buscada, and celebrating four years of our work on the Seward Park Urban Renewal Area – and spurring conversation about what’s next for SPURA!

Opening events on January 31
Curator’s gallery talk w/ Gabrielle Bendiner-Viani : Jan 31, 6:30 p.m.
Opening reception to follow, 7-9 p.m.

Exhibition : January 23 – February 25, 2012
More information on the exhibition
More information on the Layered SPURA project

Where
Arnold and Sheila Aronson Galleries, Sheila C. Johnson Design Center, The New School 66 Fifth Avenue at 13th Street, NYC

More than forty years ago, New York City took ownership of 14 square blocks on the Lower East Side for urban renewal and “slum clearance.” Its legacy is a row of parking lots on the south side of Delancey Street. Few renewal projects have been so contested, and very few of the originally-planned buildings were built. This is SPURA, the Seward Park Urban Renewal Area, one of the largest underdeveloped city-owned parcels of land.

The Layered SPURA / City Studio project, headed by Gabrielle Bendiner-Viani, explores this complex site using a hybrid approach of pedagogy, art and research, and involves long-term collaborations between Lower East Side community organizations and students in Bendiner-Viani’s City Studio, a part of the New School’s Urban Programs. This exhibition, a culmination of four years of student, faculty, and community collaboration, does not suggest solutions for a place beleaguered by top-down planning, but rather hopes to spur new conversations amongst people with different points of view about SPURA’s past, present and future.

The project has collaborated with many local community and art organizations including Good Old Lower East Side, Pratt Center for Community Development, Place Matters, common room, Buscada, Henry Street Settlement’s Abrons Art Center and Creative Time.

Get a preview of the exhibition

Student artists involved in four years of the project include : Oscar Brett, Sarah Charles, Anastasia Ehrich, Jamie Florence, Savannah Foster, Zachary Fried, Matt Fujibayashi, Kara Gionfriddo, Joshua Guerra, Leijia Hanrahan, Anke Hendriks, Jaclyn Hersh, Vinh Hua,  Evan Iacoboni,  Candace Kiersky, Sohee Kim, Lila Knisely, John Lake, Sam Lewis, Rachael London, Hannah Lyons, Claudie Mabry, Stephanie Messer, Corey Mullee, Amy Nguyen, Katherine Priebe, David Privat-Gilman, Ian Pugh, Adam Schleimer, Kaushal Shrestha, Matthew Taylor, Gabriel Tennen, Samantha Washburn-Baroni, Brittney Williams, Emily Winkler-Morey, Alexander Wood and Hannah Zingre.

Support is provided by The Office of Civic Engagement and Social Justice at Eugene Lang The New School for Liberal Arts, The Urban Design & Urban Studies Programs at The New School, and The New School for Public Engagement.



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The Open Archive on the Brian Lehrer show!

April 4th, 2011 by buscada | No Comments

On March 25th, the 100th anniversary of the Triangle fire, we were honored to attend the centennial events on Washington Place – with the crowd filling the blocks from Washington Square Park all the way to Broadway. We were also excited to see objects from the Open Archive filling the jumbotron screen above the speakers on the platform. It was wild to see our good friend Amy Reddinger’s sign from the Madison, WI rallies (which she had contributed to the archive) beaming above the trees, while the inspiring Mary Bell from the Wisconsin Education Association Council was speaking. Finally, it was phenomenal to have stories and voices from the Open Archive featured on WNYC’s Brian Lehrer Show that morning.

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Join us for a pop-up exhibition of the Triangle Fire Open Archive!

March 13th, 2011 by buscada | No Comments

Join us this Wednesday, March 16th, from 3-7pm, for a pop-up exhibition of the Triangle Fire Open Archive at the Brooklyn Historical Society!

The Triangle Fire Open Archive – a collaboration between Buscada and the Remember the Triangle Fire Coalition – is an online, participatory archive of community contributed stories, images and documents. Each of these objects tell a piece of the history and impact of the infamous fire and its critical relevance for today’s pressing questions about labor rights and safety from New York City to Wisconsin to Bangladesh.

Join us for this rare opportunity to see some of the pictures, documents and objects from the Triangle Fire Open Archive in person!

The exhibition, honoring the Triangle fire’s centennial on March 25, will include items from BHS’ archival collections, rare documents from Our Lady of Pompei church (from the Center for Migration Studies), creations by performance artist LuLu LoLo, personal photographs, and much more.

We encourage you to bring in your own items to share – stories, photos, memorabilia, etc. about the Triangle Fire, or any kind of labor or women’s activism over the last 100 years. We will create digital photographs of your items and upload them to the Triangle Fire Open Archive, for the world to see. This event is open to the public and is free with museum admission.

The Triangle Fire Open Archive exhibition
Wednesday March 16, 3-7pm

The Brooklyn Historical Society
128 Pierrepont Street at Clinton Street
Brooklyn, New York 11201

Trains :
2, 3, 4, 5 to Borough Hall, the A, C, F to Jay St/Borough Hall, or M, R to Court St.

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Playing by your own rules

February 16th, 2011 by Kaushik1000 | 2 Comments


It is hard to win when you are playing by someone else’s rules or, worse still, do not entirely understand the rules. By redefining the “meaning” of your project you become an expert in the rules of the game, and one of the people defining those very rules.

The Meaning to Tasks model uses the idea of a “project meaning”.

It supports a practice for teams and individuals to create fundamentally new meanings for projects, products and services. By working in this way the meaning of everyday projects are changed, and projects created are differentiated from the rest of the market through innovatively integrated strategies, rather than solely through feature-level improvements.

To read this article in full, click here to download the PDF.

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How do you get people to engage in dialogue?

February 16th, 2011 by buscada | No Comments

In late January, Buscada attended the first of a series of meetings hosted by MAPP International Productions to plan a new arts and community-engagement project about global interdependence, inspired by the interdependence movement championed by Benjamin Barber and others.

The meeting brought together a collection of artists, writers and performers to explore ideas of civic engagement and art practice.

We took this opportunity to ask the diverse group one deceptively simple question :

How do you get people to engage in dialogue?

This is the beginning of a new project in collaboration with MAPP International Productions to understand the processes and practices of engaging civic dialogue, art practice and pedagogy. This project is a continuation of our work begun with The America Project Teaching Method.

How do you answer this question for yourself? How do you encourage dialogue? We hope this is the start of a long and productive conversation.

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Building the Triangle Fire Open Archive

December 14th, 2010 by gabrielle | No Comments

This fall, we’ve been developing an exciting new collaborative curatorial project, working with the Remember the Triangle Fire Coalition and Ruth Sergel. In honor of the upcoming centennial of the Triangle Shirtwaist Factory Fire on March 25, 2011, we’ve developed and designed the Triangle Fire Open Archive, a curated online archive of community-created objects and stories. We’re encouraging people to submit objects culled from personal & public collections, and to use these objects to tell their own stories relating to the history of the Fire, or to the labor, immigration and gendered issues of the Fire that are still critical and resonant today.

Through the collaborative curation of the Open Archive, we’ll be able to see objects, and read narratives, never before seen together.

On Monday December 13, we had our first evening of collecting objects, working with Lucy Oakley and Marci Reaven’s class at NYU, who have recently curated the soon-to-open Grey Art Gallery exhibition, “Art/Memory/Place: Commemorating the Triangle Shirtwaist Factory Fire”.

The students did a phenomenal job of writing new reflections on their favorite objects they’ve found in researching the Triangle Fire – some drawn from public collections (as above, a portion of an image from the Kheel Center), and some drawn from their own family albums. Many contributed these objects (in digital form) to the Open Archive, and we’re thrilled to have started down the path building the Triangle Fire Open Archive with them.

We look forward to many more people getting involved, contributing objects, and telling stories through the Open Archive in the months to come – either through our online tool or at our open public events, when we’ll help photograph and digitize people’s objects.

All the digital material collected will be donated and archived by the Kheel Center which hosts the preeminent website on the Triangle Shirtwaist Factory Fire. The site will go live in January of 2011 – we’ll keep you posted!

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Hybrid Ways of Doing

December 1st, 2010 by gabrielle | No Comments

In the Fall of 2009 I embarked on an experiment with my colleague, landscape architect Elliott Maltby : co-teaching a hybrid design and social science studio on public space at Parsons the New School for Design. I reflected on the interdisciplinary process of developing our “Public Space Critical Studio + Practice-based Seminar” on this blog few months ago, here.

Once the class was over, Elliott and I did some deeper reflecting, and wrote an article on our experience of developing and teaching “hybrid ways of doing.” I am pleased to announce that this article, valuable for anyone thinking about interdisciplinary collaboration and teaching, is now available in the most recent edition of the International Journal for Architectural Research. “Hybrid ways of doing: A model for teaching public space” by Gabrielle Bendiner-Viani and Elliott Maltby is downloadable here and from the project as featured on Buscada.

We welcome your experiences with this kind of teaching and thinking.

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Reflecting on Urban Encounters

November 1st, 2010 by gabrielle | No Comments

Our 2010 Urban Encounters festival at Tate Britain this past June was a great success, and I thought it worthwhile to reflect on our intentions for this year’s event.

This organization, co-founded by myself and Paul Halliday, and now a Buscada project as well, addresses the dialogue and practice of visual urbanism.

This year’s main event, Urban Encounters: Routes and Transitions at Tate Britain on 29 May 2010, was inspired by the multiple meanings of these words : routes and transitions. All of the talks will soon be available for download and listening on iTunes U through Tate Britain, but meanwhile, a short explanation of the intentions an interests behind this year’s main event.

We were particularly interested in both embodied local routes, as well as global flows and the individuals who experience both of these kinds of movements through space – as well as through time.

The other part of this theme – transitions – was been inspired by our interest in change – and its relationship to the city, as well as the city-dweller. What does a still (or even a moving yet finite) visual medium have to say about change? about the change of landscapes? the change or transitions or adaptations made by people themselves, traveling these global and local routes in the processes of migration and life otherwise? Are there traces that can be found, or new geographies made through the visual?

The panels addressed these routes and transitions through three major themes –

Global Routes: Personal & political addressed global routes / global flows of capital, colonialism and war, as they intersect with personal routes and connections through space and time.

Making Transitions: Practice & location considered the ways in which migrants and migrant stories inhabit, and create, locations – from front rooms to municipal buildings, housing developments or the space of radio waves. This panel asked how the process of “making space” is a part of the movement between nations and neighborhoods?

The Remembered Road: Archives & pasts explored the way in which archives from the official to the personal can be read, re-read, or reinterpreted, to find the traces of different kinds of migrant, and mobile, histories – and to understand cities’ multiple pasts.

There are some enormous questions here, and some thrilling answers and provocations were posed by our speakers’ work.

Yet, a mix of dialogue and practice is at the heart of Urban Encounters – we encourage dialogue amongst our panelists as well as with our audience. In building the field of visual urbanism and we hope that you will engage in a dialogue with us. I hope that those of you who were not able to join us at the event will listen to the podcast when it becomes available – and for those that were able to join us at this or past years, please get in touch to continue the dialogue here, via facebook, twitter, or email at info [at] urbanencounters.org.

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Urban Encounters: Routes and Transitions Conference 2010

May 25th, 2010 by gabrielle | 2 Comments

Gabrielle (principal of Buscada) is co-founder of Urban Encounters, a project on the dialogue and practice of visual urbanism. The Urban Encounters conference is now in its 3rd year. This year’s event takes place May 29, 2010 at Tate Britain.

Buscada collaborates with Urban Encounters to curate, participate, organize and publicize the event through multiple media.

Visit urbanencounters.org for more information
Follow Urban Encounters on Facebook

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Urban Encounters: Routes and Transitions
Symposium
29 May, 2010, 10am – 7pm (with reception)
Tate Britain

Tickets: £25 (£15 concessions) Please visit Tate Ticketing.

Download the Routes and Transitions poster

Urban Encounters: Routes and Transitions explores the dialogue and practice of visual urbanism to bring together international researchers, academics, photographers and artists concerned with the transitional nature of contemporary urban space. It will be of particular relevance to those engaged with urban image-making, analysis and research. This third annual conference will address how photographic practices and archives intersect with an understanding of local and global routes as “places”, considering the temporality of place and the cross-cultural juxtaposition of locales.

This conference approaches the city as a palimpsest of routes and its panels will consider local, global and remembered routes through film, photography and other visual urbanisms. Considering the cultural geographies of migration, change, place, identity and the process of making transitions, the conference will facilitate an on-going interdisciplinary dialogue about the growing field of urban visual practice, method and enquiry.

This symposium is the center of the Urban Encounters Festival, which takes place in several UK-based and international locations this spring, including the London-based galleries Photofusion and Viewfinder, and at the events Urban Encounters: City to Sea at Bognor Regis, UK and Urban Encounters at the Festival of the Image, Manizales, Colombia.

Keynote speaker: Camilo Vergara, photographer


Speakers:
Michael Keith, Oxford University
Yazan Khalili, Goldsmiths, University of London
Nirmal Puwar, Goldsmiths, University of London
Kuldip Powar, independent filmmaker
Suki Ali, London School of Economics
Manuel Vazquez, Independent photographer
Michael McMillan, independent curator
Joseph Heathcott, The New School
Lasse Johansson, Fugitive Images


Discussants:
Paul Goodwin, Tate Britain
Caroline Knowles, Goldsmiths, University of London
Gabrielle Bendiner-Viani, Urban Encounters co-founder / The New School
Paul Halliday, Urban Encounters co-founder / Goldsmiths, University of London

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