Intersection | Prospect Heights returns this month with a panel discussion and series of tours to launch Our Places, a new booklet presenting stories and concerns of current and former neighbors, tracking development and demographic change, and looking at how it plays out on our streets. What is the future of Prospect Heights and our city?
Find out more at : inter-section.org
‘It was not about money’ : An Intersection | Prospect Heights discussion
June 15, 7-8:30pm
@ Information Commons Lab, Brooklyn Public Library, Grand Army Plaza
Talking with organizers, politicians and planners about the experience of change in Prospect Heights, and what it implies for neighborhoods across the city facing large-scale development. How do we preserve community?
Speakers include Letitia James, NYC Public Advocate, Thomas Angotti (Hunter College, CUNY), Deb Howard (IMPACCT), Regina Cahill (North Flatbush BID) and Catherine Green (ARTs East New York).
Moderated by Gabrielle Bendiner-Viani (Buscada) and Gib Veconi (PHNDC).
Guided tours : June 11 & June 18
Meet @ Met Food, 632 Vanderbilt Ave., between Park Place & Prospect Place
Join us for creative walking tours telling the new and old Intersection stories in sites around the neighborhood. How these are similar or different to your own stories?
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We installed almost 20 Intersection|Prospect Heights popup exhibitions in everyday places all around Prospect Heights. These included the supermarket, the library, the hardware store, dry cleaners and bars, among other places. One of the highlights of the project was forming relationships with these businesses and the ways that they came to host the project, and in many sites, to really support it, look out for it, and feel proud of it.
Met Food. The place that kept me going in my research, which David told me “talks more about the sense of community” than anywhere else, and the place to which I was most thrilled to see these stories and photographs brought back, almost 15 years later. Frank and Abdul, community-builders, and incredibly supportive people in this project. Not to mention hosts who on our guided tours provided all participants with bananas. Amazing.
Kimchi Grill, where our neighborhood stories were right next to another essential – hot sauce.
COLOR Bklyn. They shared their last months on Washington Avenue with us, and valiantly put the project out on the street everyday, protecting it from wind and rain, and helping us to engage people passing by on the street.
Brooklyn Public Library. One of the most wonderful parts of this project was working with BPL, and finding all the synergies between Intersection and all the amazing initiatives going on at BPL – from the Brooklyn Transitions series to the Brooklyn Collection to Our Streets, Our Stories, and beyond. The installation above was in the Central Branch’s children’s room, where we got some of the most heartfelt stories contributed, including the one below.
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There’s much to say on the kinds of experiences we had and the kinds of conversations we were privileged to be a part of, but for now – we thought you’d like to see a little of what the process of bringing the project to the public was like. A few of our favorite moments of making it happen, in pictures.
Reconnecting with our tour guides from 15 years ago. Here Mike Halkias of the Usual reads his own guide, and remarks on how much more hair he has in the cover picture.
Receiving the printers proofs for all six of our guidebooks – seeing them all together finally, in living color. Holding the dummy proofs in our hands – feeling what the guides might really feel like – one of the best days of 2015.
The guides and pop-up exhibitions come together – with places for people to leave their own stories.
Thrilling to bring one of our very favorite images back to the neighborhood. We’ve loved this boy since Gabrielle photographed him at the Conrad McRae basketball tournament at the Dean Street playground in 2002.
Installation began at Brooklyn Public Library – and shortly after setting down our first pop-up, it was so gratifying to see this man be the first to pick up a guidebook.
Once people started to pick up those guides, the pop-ups needed to be refilled regularly – much to our delight. While the installations at BPL and Met Food needed to be refilled most often, all of the locations required our regular trips around the neighborhood with the artists’ best friend, a shopping cart. Public art is glamorous – and we were happy for a very mild autumn!
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The RFP for the Seward Park Urban Renewal Area (SPURA) site has gone out, the bids from developers are coming in, and it is possible that new things will happen at the SPURA site. My article “Layered SPURA : Spurring Conversations through Visual Urbanism” featured in Radical History Review asks some questions about this process : What of the site’s history? What of the ongoing need for affordable housing? What of the need for thoughtful architecture in the building of all housing? Will these things be heeded in this process? How can thinking these through, and new ways of thinking about contested space, help inform the way we think about and plan for SPURA? “Layered SPURA” explores my four-year visual urbanist project on SPURA, a collaboration with students and community groups to use creative practice to ask complex questions and to reconsider the city.
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As we get ready to think about the next steps in the Triangle Fire Open Archive and Open Museum projects, I’m looking back at the article I published on Urban Omnibus last fall, “Making Meaning Together : The Triangle Fire Open Archive and Open Museum.”
The piece was about our projects, temporary and permanent memorials, and how to continue ephemeral work – and whether this is an oxymoron. Stay tuned for new and ongoing versions of this ephemeral-archival work.
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Get a preview of the exhibition
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Please join us on October 7, 8 & 16th at our residency at Creative Time’s Living As Form, “a vast collection of documentation of 100 socially engaged projects from the last twenty years and from locations around the globe.”
Our residency features a new iteration of our ongoing work on the Seward Park Urban Renewal Area (SPURA), in collaboration with Temporary Services’ MARKET.
More on the Buscada SPURA project
More on MARKET
You may know SPURA as the parking lots along Delancey Street. More than forty years ago, the area was razed for “slum clearance” and few renewal projects have been so contested. Very few of the originally-planned buildings were ever built, and many people were once displaced from the site, some now live on it, and many people live in the blocks around it. Many different communities claim SPURA, and imagine different futures for it.
Our work builds on Gabrielle’s City Studio class at the New School, and considers the past, present and future of this contested site, collaborating with community organizations, and using a visual urbanist approach to create a series of annual exhibitions to create space for dialogue.
On October 7th, 8th and 16th, in residence at MARKET, we continue to present and explore the multiple stories of SPURA. Please join us, and students from four years of City Studio us to tell your own SPURA stories, to talk with others at our booth, and to discuss the future of the neighborhood.
We will also be hosting a walking tour, on October 8th at 2pm, in collaboration with Dutch artists Bik Van der Pol, to explore the layered nature of SPURA, the hidden and intersecting voices behind the often perplexing physical, political and personal landscape of SPURA.
Sign up for our walking tour
Friday, October 7, Saturday October 8, Sunday October 16th, 12-8pm
Special guided tour on the complexities of SPURA : October 8, 2pm
the historic Essex Street Market, SE corner of Essex & Delancey Streets
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The Triangle Fire Open Archive – a collaboration between Buscada and the Remember the Triangle Fire Coalition – is an online, participatory archive of community contributed stories, images and documents. Each of these objects tell a piece of the history and impact of the infamous fire and its critical relevance for today’s pressing questions about labor rights and safety from New York City to Wisconsin to Bangladesh.
Join us for this rare opportunity to see some of the pictures, documents and objects from the Triangle Fire Open Archive in person!
The exhibition, honoring the Triangle fire’s centennial on March 25, will include items from BHS’ archival collections, rare documents from Our Lady of Pompei church (from the Center for Migration Studies), creations by performance artist LuLu LoLo, personal photographs, and much more.
We encourage you to bring in your own items to share – stories, photos, memorabilia, etc. about the Triangle Fire, or any kind of labor or women’s activism over the last 100 years. We will create digital photographs of your items and upload them to the Triangle Fire Open Archive, for the world to see. This event is open to the public and is free with museum admission.
The Triangle Fire Open Archive exhibition
Wednesday March 16, 3-7pm
The Brooklyn Historical Society
128 Pierrepont Street at Clinton Street
Brooklyn, New York 11201
2, 3, 4, 5 to Borough Hall, the A, C, F to Jay St/Borough Hall, or M, R to Court St.
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This fall, we’ve been developing an exciting new collaborative curatorial project, working with the Remember the Triangle Fire Coalition and Ruth Sergel. In honor of the upcoming centennial of the Triangle Shirtwaist Factory Fire on March 25, 2011, we’ve developed and designed the Triangle Fire Open Archive, a curated online archive of community-created objects and stories. We’re encouraging people to submit objects culled from personal & public collections, and to use these objects to tell their own stories relating to the history of the Fire, or to the labor, immigration and gendered issues of the Fire that are still critical and resonant today.
Through the collaborative curation of the Open Archive, we’ll be able to see objects, and read narratives, never before seen together.
On Monday December 13, we had our first evening of collecting objects, working with Lucy Oakley and Marci Reaven’s class at NYU, who have recently curated the soon-to-open Grey Art Gallery exhibition, “Art/Memory/Place: Commemorating the Triangle Shirtwaist Factory Fire”.
The students did a phenomenal job of writing new reflections on their favorite objects they’ve found in researching the Triangle Fire – some drawn from public collections (as above, a portion of an image from the Kheel Center), and some drawn from their own family albums. Many contributed these objects (in digital form) to the Open Archive, and we’re thrilled to have started down the path building the Triangle Fire Open Archive with them.
We look forward to many more people getting involved, contributing objects, and telling stories through the Open Archive in the months to come – either through our online tool or at our open public events, when we’ll help photograph and digitize people’s objects.
All the digital material collected will be donated and archived by the Kheel Center which hosts the preeminent website on the Triangle Shirtwaist Factory Fire. The site will go live in January of 2011 – we’ll keep you posted!
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